#It could be anything in reason really

[oddly-casual]

I’m currently having Spy x Family brain rot, and I want to write something so bad but I’m having trouble coming up with ideas if anyone wants to- I don’t know- give me some so I can sleep easier at night.

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[arsenicflame]

Bonus round! Do you use a queue tag?

[corviiids]

ok hear me out about this vaguely Your Name inspired lawlight au told via notes they leave each other while bodyswapped

[bloobydabloob]

Alternative hairstyle ideas for Roxy

[periwinkla]

If I'm with you, I'm happy

'If I'm with you, I'm happy' - the meaning of the yellow hyacinth, the flower that inspired me to make this in the first place ♡ /Print will be on the shop tomorrow / edit: print here! <3

Hanakotoba notes:

Hyacinth (general) - 悲しみを越えた愛 ‘kanashimi o koeta ai’ love that transcends sadness

Yellow hyacinth - あなたとなら幸せ ‘anata to nara shiawase’ if I’m with you I’m happy, 勝負 'shoubu' battle/match

Blue hyacinth - 変わらぬ愛 ‘kawaranu ai’ unchanging love

White hyacinth - 控えめな愛らしいさ 'hikaemena airashisa' reserved love, 心静かな愛 'kokoroshizukana ai' tranquil love

Purple hyacinth - 悲しみ 'kanashimi' / 悲哀 'hiai' sadness/grief/sorrow, 初恋の直向きさ ‘hatsukoi no hitamukisa‘ devotion of first love

Pink hyacinth - スポーツ sports, ゲーム games, しとやかなかわいらしさ 'shitoyakana kawairashisa' graceful cuteness (shitoyaka 'graceful' can also be translated as 'refined', 'modest', 'gentle', 'quiet' etc.)

Red hyacinths also exist but I didn't add them here as they didn't fit (meaning is 'envy')

Margaret - 真実の愛 ‘shinjitsu no ai’ true love, 信頼 ‘shinrai’  trust. There's also 恋占い koiuranai 'love fortune-telling' which I think may refer to that 'he loves me, he loves me not' game.

Twisted trees also have some nice symbolism to them (in general). What I'm about to say isn't something I found anywhere in particular, just my own thoughts about them. Disregarding the *hahaha* about the not-straight tree implications that I'm sure will be lost to no one single tumblr resident whatsoever- generally twisted trees are that way because of the winds they withstood (I mean there are other reasons too of course...). They're beautiful in their perseverance towards life. Life may have shaped you a certain way, with the good and the bad - and the shape you've taken is to be appreciated in its beauty... of simply being, and existing, and persevering despite all.

Link to the Hanakotoba site (set up so you can switch between JP and (auto)translation - keep in mind autotranslation is not perfect, in fact there are a few differences I corrected above) : hyacinths and margarets You can also search some words on jisho to see additional meanings, there are quite a few... I chose the ones I deemed most apt. Unfortunately you can't copy-paste the Japanese, I use the rikaikun extension for the kanji I don't know (which is most of them I gotta be honest). I have the JP keyboard installed and I just retype it to post it here haha.

[vypridae]

my au's sun and moon after their first day/night out without the other. posting these because i have major art block and wanna post at least SOMETHING for yall BFGJHFGHKJF

(context for au below cut)

so in my au, sun and moon were originally two separate animatronics. they performed together at the theatre for a while. at some point, around the time bonnie was suddenly replaced, fazbear ent. LLC.'s profits went down. so, the company's ceo (who shant be named) provided the techs with a few ideas to save the company money, or make them more money to make up for the loss with bonnie's disappearance. one of those was scrapping sun and moon.

sun and moon were the techs' pride and joy at the time. but, with losing money (and being threatened to be replaced if they couldn't get profits up somehow), the techs decided that sun & moon's theatre performances weren't working. so, they put them in the superstar daycare instead of the theatre; a lot of adults kept being fired from the daycare and that was also losing the company money, so why not get rid of the human daycare staffing altogether? along with that, they had come to the realization that having two animatronics in one small area like this would be cause for costly monthly repairs. so, they decided to redo the attendant altogether and put both ai's in the same body. used old parts from their other bodies to build this one, so as to save money. spent a lot of time on them, since they were the tech's pride & joy, but couldn't get the transition and ai bugs smoothed out in efficient time, so they gave up. threw the attendant into the daycare and started focusing on the glamrocks and DJMM, the ones that actually made a lot of money for the company.

the art takes place that first night sun and moon come into consciousness, neither of them realizing they can speak to the other in their joint headspace, nor realizing how. this is that first day/night without the other.

[tragicvampireromanceisland]

they are SILLY!!! and CUTE!!! and UNDERRATED!!! that is all!!! 💛💚

[hellenhighwater]

look I stand by my Say Yes To Things policy.

But.

My old highschool buddy, Mouse the Drag Linebacker (now a demolition derby driver) is trying to convince me that I can and should paint pinstripes on his car. Not his demo car, which I would paint happily and poorly, but his project car, his Duster, his baby.

Look. I will do it if he really really wants me to, but I am trying to explain that this requires an extremely specific skillset that I do not have. I will do my best if he wants me to take a swing at it but I will also, absolutely, fuck it up.

Sir. Make wiser choices.

[rooolt]

can we talk about how hawk and Tory hung out like all the time in seasons 2&3 and yet literally never acknowledge each other when they’re finally on the same side again in season 6. Like even Hawk and Robby in season five had an awkward little acknowledgement of each other being on the same side and how their history made that sorta weird, AND THEY BARELY HAD ANY CONVERSATIONS WITH EACH OTHER. You’re telling me Tory and Hawk “steal a snake together”, “you better watch your back” Tory and Hawk, Tory and Hawk “partners in gang violence for months” having NOTHING to say to each other

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[shepscapades]

shep. i finished xisuma's s8. i am plagued with so many thoughts /silly

Oh my gognfjgmgimfggfmgnmfdnffgh it’s. It’s so much. I have so much to say and so many thoughts they make me so crazy. They make me so crazy THEY MAKE ME SO CRAZY IS THIS THING ON CAN ANYONE HEAR ME

[rockethorse]

The basegame wedding dress has a pregnancy morph??

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[dootznbootz]

I think people sleep on this moment in the Odyssey...

If I'm wrong, not getting full context, or see something that isn't there, feel free to give evidence to explain why.

Here he crept under a pair of bushes, one an olive, the other a wild olive, which grew from the same stem with their branches so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.

(Book 5, Rieu)

I think this is about Penelope and him.

Obviously, their marriage bed is made from an Olive tree. If it's just about Athena then why are there two mentioned? Why did Homer mention two when he could've just said he took refuge under one? Or a completely different type of tree? Why mention them being intertwined?

One an olive: Penelope, who has been with society and "safe" in Ithaca ("Safe" because of the suitors)

One wild: Odysseus, who has dealt with literal monsters and immortals and has just escaped from Calypso. Literally naked and filthy, a "wild man".

"which grew from the same stem with their branches": Them both being together at first, before being separated.

"so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.": Despite being separated, they are still "intertwined". Whether you want to think of it as them being likeminded or simply connected, even though they are apart, nothing could get in between them. 🥺

I don't know what else Homer could be referring to other than them.